Alex r hibbert spiderman tv#

Other imperfect but nonetheless engrossing thrillers included Game of Death, Mayhem and Gore Verbinski’s A Cure for Wellness.

The more minor Annabelle: Creation is similarly a pleasant surprise, a good example of high tension schlock horror. Fifty Shades Darker, directed by Hollywood great James Foley, is more convincing (though less funny) than Fifty Shades of Grey, and both Kong: Skull Island and Alien: Covenant are perfectly conceived and executed big budget fantasies, delivering a great deal more than they promise. The Fate of the Furious, the latest in the Fast and the Furious franchise, is similarly one of the strongest in the series, with Vin Diesel at his epic best in James Bond mode. Marvel Entertainment, Marvel Studios, Walt Disney Pictures Mark Ruffalo, right, Tessa Thompson and Chris Hemsworth in Thor: Ragnarok (2017). Thor: Ragnarok is an amazing rush of a film – one of the best of the year – blending wry comedy with psychedelic imagery and full-blooded action sequences, the whole thing punctuated by a first rate electronic score from Mark Mothersbaugh of Devo fame. Wonder Woman, whilst hardly ground-breaking, is a coherent and effectively made film, with clearly staged and executed action sequences, and an engaging performance by Gal Godot in the lead role. Perhaps most surprisingly, 2017 also saw the release of the best Marvel and DC comic book films to date, as well as very good instalments in other series.

Alex r hibbert spiderman tv#

It was the adaptation Stephen King fans had been waiting for for years, offering a far less hokey take on King’s epic novel than the previous TV miniseries version.

Wind River is a soulful, Western-style cop film, set in the snowy reaches of Wyoming, and The Beguiled is a savagely funny bodice ripper, a little more pared-back than Coppola’s other work, anchored around amusing turns by Colin Farrell as an injured Union soldier and Nicole Kidman as the matriarch of the confederate-friendly household in which he convalesces. Baywatch and The House are funny, sometimes stupid but always watchable big budget comedies, King Arthur: Legend of the Sword is Guy Ritchie’s best film in years, and Wind River and Sofia Coppola’s The Beguiled are engrossing mystery-thrillers. There were other surprisingly well-made and engaging films released in 2017 across multiple genres. Universal Pictures, Blumhouse Productions, QC Entertainment Like the best genre films, it uses formula as a launch pad to say something genuinely interesting about the world (and the medium).ĭaniel Kaluuya and Allison Williams in Get Out (2017). It is as brutal and unforgiving as the best horror films, whilst relieving the tension at times with moments of side-splitting hilarity.

Writer-director Jordan Peele’s Get Out similarly effectively critiques contemporary American culture, with its visceral blend of horror and comedy sustaining its reflection on race in the United States. It offers an, at times, deliriously uncomfortable blend of pathos and black comedy, and says more about contemporary consumer society than virtually any other American film of recent years. Its narrative follows stalker Ingrid (Aubrey Plaza) as she moves to Venice Beach and insinuates herself into the life of Instagram celebrity Taylor (Elizabeth Olsen). Ingrid Goes West, directed by Matt Spicer, is a painfully incisive dissection of the pathological effects of social media. Moonlight deserved the Best Picture award at the 2017 Oscars: for once, the “best picture” won. It effortlessly develops its rather low-key coming of age story through an absolutely stunning visual schema, with the relationships between the surface action, the interior worlds of the characters, and the imagery creating some of the most satisfying on-screen tension this year. There were some extraordinary stand-alone films released this year.īarry Jenkins’s Moonlight (released in Australia in 2017, thus included on this list) is one of the best American films in years. If 2016 was the “year of the mediocre film,” as I churlishly wrote this time last year, then 2017 marked a return to form for the Hollywood blockbuster.